Produceret af Roger Waters og Michael Kamen
Udgivet
1984 af Pink Floyd Music Publishers Ltd
Dengang Floyd skulle igang med et nyt projekt efter Animals,
kom Waters med to demobånd til de andre medlemmer. Gilmour tog dem begge med
hjem og lyttede dem igennem. Han vurderede at det der var mest potientiale i,
var det der så senere blev til The Wall. Du har nok gættet nu hvad det andet
demobåd var.
Pladen blev først sendt på gaden i 1984, altså efter The Final Cut og efter
filmen The Wall. Hvad angår filmen The Wall, så sidder Pink jo på toilettet
(Stop) til sidst i filmen og resiterer først et par linier fra The Final
Cut
(Your Possible Pasts) og derefter et par linier fra The Pros and Cons
(5.11 AM -The Moment of Clarity) :
Put out my hand, just to touch your soft hair.
To make sure in the darkness, that you where still there.
And I have to admit, I was just a little afraid.
of the ones living under the dirty old knife.
And the ones who where pointed with guns to their backs
Som man kan se er teksten ændret lidt siden, da de sidste to linier ikke nåede med på pladen.
Numre på denne plade
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4.30 AM (Apparently They Were Traveling Abroad) (Waters) [3:11]
We were moving away from the border
Looking for somewhere to sleep
The two of us sharing the driving
Two hitch hikers slumped in the back
seat
I sneaked a quick look in the mirror
She gave me a smile
I said
"Is anyone hungry?
Should we stop for a while?"
So we pulled off into
a lay by
Her dress blew up over her head
I said "Would you like to come
with me?"
She said something foreign under her breath
And the sun shone
down on her lovely young limbs
I thought to myself she's too good for me
I lay down beside her with tears in my eyes
She said
4.33 AM (Running Shoes) (Waters) [4:08]
So I stood by the roadside
the soles of my running shoes gripping the
tarmac
like gun metal magnets
Fixed on the front of her Fassbinder face
was the kind of a smile
that only a rather dull child could have drawn
while attempting a graveyard in the moonlight
but then she was impressed
you could see that she thought I looked fine
and when she turned sweeter
the reason, between you and me, was
she'd just seen my green Lamborghini
So we went for a spin in the country
to feel the wind in our hair
To feel the power of my engine
To feel the thrill of desire
And
then in the trees I heard a twig snap
Warning lights flashed on my map
I opened my eyes and to my surprise
4.37 AM (Arabs with Knives and West German Skies) (Waters) [2:17]
there were Arabs with knives
at the foot of the bed
Right at the foot
of the bed
Oh my God how did they get in here?
I thought we wee safe home in
England
She said "Come on now kid, it was wrong what you did
You've got
to admit it was wrong what you did.
You've got to admit it was wrong."
Sleep Sleep
I know that I'm only dreaming
Through closed eyes
I see West German skies on the ceiling
And I
want to get back
to the girl with the rucksack
to feel her flaxen hair
I want to be there
See the sun going down
behind Krupps steelworks
on the outskirts of some German town
Thank you but......
this young lady and I
will just finish this
bottle of wine
It was kind of you...but
I think we'll just say goodnight.
Goodnight
4.39 AM (For the First Time Today - Part 2) (Waters) [2:02]
For the first time today
I help her naked body next to mine
In this hotel
overlooking the Rhine
I made her mine
Ooh babe...ooh babe
come with
me and stay with me
Please stay with me
Stay with me
Stay with me
Stay with me
Stay with me
Stay with me
4.41 AM (Sexual Revolution) (Waters) [4:49]
Hey...girl
Take out the dagger
and let's have a stab at the sexual
revolution
Hey girl
let freedom for all be our rallying call
tomorrow
lets make...our new resolution
Yeah, but tonight lie still
while I plunder
your sweet grave
and remember
only the poor can be saved
Hey girl
as I've always said I prefer your lips red
Not what the good Lord made
but what he intended
Hey girl
don't point the finger at me
I am
only a rat in a maze like you
and only the dead go free
So...please hold
my hand
as we blunder through the maze
and remember
nothing can grow
without rain
Don't point
don't point your finger at me
I woke
in a fever
The bedclothes were all soaked in sweat
She said "You've been
having a nightmare
and it's not over yet"
Then she picked up the doggy
in the window
(The one with the waggly tail)
and she put him to bed
between two bits of bread
4.47 AM (The Remains of Our Love) (Waters) [3:09]
I just cowered in the corner
My pajama coat over my head
and she smiled
as she finished her sandwich
And her cold eyes fixed me to my dark
history
as she brushed the remains
of our love from the bed
And when
she had turned back the covers
when all of the prayers had been read
she
said "Come on over here you silly boy
before you catch your death of cold
I was only joking"
"Let's leave behind the city grime
Let's not compete
it could be fine in the country"
"Couldn't it though...come on let's
go"
I said "OK"
4.50 AM (Go Fishing) (Waters) [6:59]
As cars go by I cast my mind's eye
over back packs on roof racks
beyond
the horizon
Where dream makers
working white plastic processors
invite
the unwary
to reach for the pie in the sky
Go fishing my boy!
We
set out in the spring
with a trunk full of books about everything
About
solar devices
and how nice natural childbirth is
We cut down some trees
and trailed our ideals
through the forest glade
We dammed up the
stream
and the kids cooled their heels
in the fishing pool we'd made
We held hands and we exchanged bands
and we practically lived off the
land
You adopted a fox cub
whose mother was somebody's coat
You fed
him by hand
and then snuggled him down
in the grandfather bed while I
wrote
We grew our own maize
and I only occasionally went into town
to stock up on antibiotics
and shells for the shotgun that I kept around
I told the kids stories
while you worked your loom
and the sun went
down sooner each day.
The leaves all fell down
Our crops all turned brown
It was over
As the first snowflakes fell
I realized all was not well in the camp
The kids caught bronchitis
The space heater ran out of diesel
One weekend
a friend from the East
rot his soul
stole your heard
I said "Fuck it
then
Take the kids back to town
Maybe I'll see you around"
And so...leaving all our hopes and dreams
to the wind and the rain
Taking
only our stash
left our litter and trash
and set out on the road again
On the road again
4.56 AM (For the First Time Today - Part 1) (Waters) [1:38]
For the first time today
I feel it's really over
You were my everyday
excuse
for playing deaf, dumb and blind
Who'd have ever thought
this was how it would end for you and me
To carry my own millstone
out of the trees
And I have to admit
I don't like it a bit
being left
here beside this lonesome road.
Lonesome road
Lonesome road
4.58 AM (Dunroamin, Duncarin, Dunlivin) (Waters) [3:03]
I nailed ducks to the wall
Kept my heart in dark ruins
I built
bungalows all over the hills
Dunroamin, duncarin, dunlivin
Took my girl
to the country
to sleep out under the moon
Next thing she's going crazy
She waits for the real Mr. Right to come
gently removing her heart
With his promises of real communication
Who's always picking up the tab
Who built a bungalow for his mum and
dad - me
Who took you out to all the shows
Who worked his fingers to the
bone - me
While you were asleep
I kept you in buttons and bows
So you could encourage this creep
With his neat feet
and his clean fingernails
with his wise but
twinkling eyes
he's a rock standing out in an ocean of doubt
and compromise
I'd like to go on with this bit of a song
describing this schmuck
I'd like to go on, but I'm going to throw up
5.01 AM (The Pros and Cons of Hitchhiking part 10) (Waters) [4:36]
An angel on a Harley
pulls across to greet a fellow rolling stone
Puts
his bike up on it's stand
leans back and then extends
a scared and greasy
hand...he said
Then he takes your hand
in some strange Californian handshake
and breaks the bone
A housewife from Encino
whose husband's on the golf course
with
his book of rules
breaks and makes a 'U' and idles back
to take a second
look at you
You flex your rod
Fish takes the hook
Sweet vodka and
tobacco in her breath
Another number in your little black book
These
are the pros and cons of hitchhiking
These are the pros and cons of hitch
hiking
Oh babe, I must be dreaming
I was standing on the leading edge
The Eastern seaboard spread before my eyes
"Jump" says Yoko Ono
"I'm
scared and too good looking" I cried
"Go on", she says
"Why don't you
give it a try?
Why prolong the agony all men must die"
Do you
remember Dick Tracy?
Do you remember Shane?
Could you see him selling tickets
where the buzzard circles over
the body on the plain
Did you understand the music Yoko
or was it
all in vain?
The bitch said something mystical "Herro"
so I stepped back on the
kerb again
These are the pros and cons of hitch hiking
These are the
pros and cons of hitch hiking
Oh babe, I must be dreaming again
These
are the pros and cons of hitch hiking
5.06 AM (Every Strangers Eyes) (Waters) [4:48]
In truck stops and hamburger joints
in Cadillac limousines
in
the company of has-beens
and bent-backs
and sleeping forms on pavement
steps
in libraries and railway stations
in books and banks
in the
pages of history
in suicidal cavalry attacks
I recognize
myself in
every stranger's eyes
And in wheelchairs by monuments
under tube trains
in commuter accidents
in council care and county courts
at Easter fairs
in sea-side resorts
in drawing rooms and city morgues
in award winning
photographs
of life rafts in the China seas
in transit camps, under arc
lamps
On loading ramps
In faces blurred by rubberstamps
I recognize...
myself in every strangers eyes.
And now
from where I stand
upon this hill I plundered from the pool
I look around, I search the skies
I shade my eyes, so nearly blind
And I see signs of half remembered days
I hear bells that chime in strange familiar ways
I recognize
the hope
you kindle in your eyes
It's oh so easy now
as we lie here in the dark
Nothing interferes it's obvious
how to beat the tears
that threaten
to snuff out
the spark of our love
5.11 AM (The Moment of Clarity) (Waters) [1:28]
And the moment of clarity
faded like charity does
sometimes
I opened
one eye
and I put out my hand just to touch your soft hair
to make sure
in the darkness that you were still there
and I have to admit
I was just
a little afraid, oh yeah
But then...
I had a little bit of luck
you
were awake
I couldn't take another moment alone.