Optaget i Amsterdam 18.-23. juni 2018
Udgivet 2020
Den rette titel er: Roger Waters, Us+Them, A film by Sean Evans and Roger Waters
Det er også Sean Evans, der var med til at
lave Roger Waters - The Wall
Denne udgivelse er i langt højere grad en koncertoptagelse end forgængeren, selvom det
altså bliver omtalt som en film.
Det er liveoptagelser fra en tour der startede 26.maj 2017 i Kansas City USA og og sluttede 9.december 2018
i Monterrey Mexico.
På det tidspunkt havde de spillet 156 shows i 36 lande for 2,6 millioner
mennesker.
Og selvfølgelig var en del af de 2,6 millioner danskere.
Waters fik meget kritik af en del af sine fans, for at være meget politisk. Ikke så meget med sin musik, for den har længe været politisk, men han anklages for at holde længere politiske taler.
Jeg må erkende, at jeg ikke har fået købt den som CD og har heller ikke streamet den, så det jeg kender til, er DVD'en eller rettere Blu Ray udgaven. Så det er det jeg har kigget på, og bygget denne side over.
Der står på DVD'en, at den er optaget i Amsterdam, men efter at have set den, så tør jeg godt vove påstanden, at den er optaget flere steder end bare Amsterdam. Blandt andet de børn der er med på Another Brick - der er mere end to forskellige "hold".
Sidste nummer - før bonus numrene - er, ifølge coveret, et nummer kaldet "Déjà Vu
Reprise", men det er ikke helt rigtigt, for sidte nummer er faktisk et nummer, som
er optaget back stage i Rio de Janeiro af Kate Izor. Det er nogle af de unge, der
skal medvirke på scenen til "Another Brick", som spiller et nummer der hedder
"Novo Lugar", en sang af Maria Fernanda de Souza,og det er også hende der spiller guitar.
Dette nummer bliver spillet under rulleteksterne, som også indeholder en tak til alle de knap 1.800
børn, som har medvirket undervejs på denne turne.
I Danmark var det:
Herning: Ung
Herning. Den kommunale ungdomsskole Herning
København: Vesterbro ungdomsgård.
Herunder er tekster og det meste af det der bliver sagt undervejs, ligesom jeg gør på alle mine andre sider.
Der er en bonus på DVD som beatår af en dokumentar og to numre:
A Fleeting Glimpse
(Documentary)
Comfortably Numb
Smell the Roses
Numre på denne plade
|
Uden musik
(Instrumental)
"Breathe" [2'44] (Waters, Gilmour, Wright)
Breathe, breathe in the air.
Don't be afraid to care.
Leave but don't leave
me.
Look around and choose your own ground.
Long you live and high you
fly
And smiles you'll give and tears you'll cry
And all you touch and all
you see
Is all your life will ever be.
Run, rabbit run.
Dig that hole,
forget the sun,
And when at last the work is done
Don't sit down it's time
to dig another one.
For long you live and high you fly
But only if you
ride the tide
And balanced on the biggest wave
You race towards an early
grave.
One of These Days [5'28](Waters, Wright, Mason, Gilmour)
(Instrumental)
"Time" [5'54] (Mason, Waters, Wright, Gilmour)
Ticking away the moments that make up a dull day
You fritter and waste the hours in an offhand way.
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way.
Tired of lying in the sunshine staying home to watch the rain.
You are young and life is long and there is time to kill today.
And then one day you find ten years have got behind you.
No one told you when to run, you missed the starting gun.
And you run and you run to catch up with the sun but it's sinking
Racing around to come up behind you again.
And the sun is the same in a relative way but you're older,
Shorter of breath and one day closer to death.
Every year is getting shorter never seem to find the time.
Plans that either come to naught or half a page of scribbled lines
Hanging on in quiet desperation is the English way
The time is gone, the song is over,
Thought I'd something more to say.
Home, home again
I like to be here when I can
When I come home cold and
tired
It's good to warm my bones beside the fire.
Far away across the
field
The tooling of the iron bell
Calls the faithful to their knees
To
hear the softly spoken magic spells.
"The Great Gig in the Sky" [5'00] (Wright)
(Instrumental)
"Welcome to the Machine" [6'56] (Waters)
Welcome my son, welcome to the machine.
Where have you been?
It's alright
we know where you've been.
You've been in the pipeline, filling in time,
Provided with toys and 'Scouting for Boys'.
You bought a guitar to punish
your ma,
And you didn't like school
and you know you're nobody's fool,
So welcome to the machine.
Welcome my son, welcome to the machine.
What did you dream?
It's alright we told you what to dream.
You
dreamed of a big star,
He played a mean gituar,
And he always ate in the
Steak Bar.
He loved to drive in his Jaguar.
So welcome to the Machine.
If I had been God
I would have rearranged the veins in the face
to make them more resistant to alcohol
and less prone to aging
If I had
been God
I would have sired many sons
and I would not have suffered the Romans
to kill even one of them
If I had been God
With my staff and my rod
If I
had been given the nod
I believe I could have done a better job
And if I
were a drone
Patrolling foreign skies
With my electronic eyes for guidance
And the element of surprise
I would be afraid to find someone home
Maybe a
woman at a stove
Baking bread, making rice,
or just boiling down some bones
If I were a drone
Lay down Jerusalem
Lay yout bourden down
Lay down Jerusalem
Lay yout bourden down
The temple's in ruins
The bankers get fat
The buffalo's gone
And the mountain
top's flat
The trout in the streams are all hermaphrodites
You lean to the left
but you vote to the right
And it feels like déjà vu
The sun goes down and I'm
still missing you
Counting the cost of a love that got lost
And under my Gulf
Stream, in circular pools
There's ninety-nine cents' worth of drunkards and fools
The Last Refugee (Waters) [4'10]
Lie with me now
Under lemon tree skies
Show me the shy, slow smile you keep
hidden
By warm brown eyes
Catch the sweet hover of lips just barely apart
And wonder at loves sweet ache
And the wild beat of my heart
Oh, rhapsody
tearing me apart
And I dreamed I was saying goodbye to my child
She was
taking a last look at the sea
Wading through dreams
up to our knees in warm
ocean swells
While bathing belles, soft beneath
Hard bitten shells punch
their iPhones
Erasing the numbers of redundant lovers
And search the horizon
And you'll find my child
Down by the shore
Digging around for a chain or a
bone
Searching the sand for a relic washed up by the sea
The last refugee
Picture yourself as you lean on the port rail
Tossing away your last cigarette
Picture your finger pushing the doorbell
Picture the skull and crossbones
on the doormat
Picture yourself on the streets of Laredo
Picture the casbah,
picture Japan
Picture your kid with his hand on the trigger
Picture prosthetics
in Afghanistan
Picture a courthouse with no fucking laws
Picture a cathouse
with no fucking whores
Picture a shithouse with no fucking drains
Picture a
leader with no fucking brains
Oh, picture that
Follow me filming myself at the show
On a
phone from a seat in the very front row
Follow Miss Universe catching some rays
Wish You Were Here in Guantanamo Bay
Picture a seat on a private plane
Picture
your feet nailed to the floor
Picture a crew who are clearly insane
Picture no
windows, picture no doors
Glued to a screen in the state of Nevada
To follow
the dream gets harder and harder
Picture her wrapping a gift for the wedding
Picture her boiling the water for tea
Picture the kids climbing into the
backseat
Picture my hand turning the key
Oh, picture that
Picture
the dog in the pickup ahead
Picture the tree at the side of the road
Picture my
hands growing steadily colder
Follow me down to a place by the river
Sold
for my kidneys, sold for my liver
Why so weedy, so fucking needy
There’s no
such thing as being too greedy
"Wish You Were Here" [4'57] (Waters, Gilmour)
So, so you think you can tell
Heaven from Hell,
Blue skys from pain.
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?
And did they get you to trade
Your
heros for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange
A walk on part in the war
for a lead role in a cage?
How I wish, how I wish you were here.
We're just two lost souls
Swimming in a fish bowl,
Year after year,
Running over the same old ground.
What have we found?
The same old fears.
Wish you were here.
"The Happiest Days of our Lives" [1'59]
When we grew up and went to school
There were certain teachers who would
Hurt the children in any way they could
By pouring their derision
Upon anything we did
Exposing every weakness
However carefully hidden by the kids
But in the town, it was well known
When they got home at night, their fat and
Psychopathic wives would thrash them
Within inches of their lives.
"Another Brick in the Wall part 2" [3'18]
We don't need no education
We don't need no thought control
No dark sarcasm
in the classroom
Teachers leave them kids alone
Hey! Teacher! Leave them kids
alone!
All in all it's just another brick in the wall
All in all you're just
another brick in the wall.
We don't need no education
We don't need no
thought control
No dark sarcasm in the classroom
Teachers leave those kids
alone
Hey! Teacher! Leave us kids alone!
All in all you're just another brick
in the wall
All in all you're just another brick in the wall
"Another Brick in the Wall Part 3" [1'35]
I don't need no arms around me
And I don't need no drugs to calm me.
I have
seen the writing on the wall.
Don't think I need anything at all.
No! Don't
think I need anything at all.
All in all it was all just bricks in the wall.
All in all you were all just bricks in the wall.
All in all it was all just
bricks in the wall.
All in all you were all just bricks in the wall.
You've got be crazy, you gotta have a real need.
You Gotta sleep on your toes,
and when you're on the street,
You've got to be able to pick out the easy meat
with your eyes closed.
Then moving in silently, down wind and out of sight,
You've got to strike when the moment is right without thinking.
And after a
while, you can work on points for style.
Like the club tie, and the firm handshake,
A certain look in the eye and an easy smile.
You have to be trusted by the
people that you lie to,
So that when they turn their backs on you,
You'll get
the chance to put the knife in.
You gotta keep one eye looking over your
shoulder.
You know it's going to get harder, harder, and harder as you get older,
yeah.
And in the end you'll pack up and fly down south, hide your head in the
sand
Just another sad old man,
All alone and dying of cancer.
And when
you loose control, you'll reap the harvest you have sown.
And as the fear grows,
the bad blood slows and turns to stone.
And it's too late to lose the weight
you used to need to throw around.
So have a good drown, as you go down all alone,
Dragged down by the stone.
Gotta admint I'm a little bit confused.
Sometimes it seems to me as if I'm just
being used.
Gotta stay awake, gotta try and shake off this creeping malaise.
If I don't stand my own ground, how can I find my way out of this maze?
Deaf,
dumb, and blind, you just keep on pretending
That everyone's expendable and
no-one has a real friend.
And it seems to you the thing to do would be to
isolate the winner
And everything's done under the sun,
And you believe at
heart, everyone's a killer
Who was born in a house full of pain
Who was trained not to spit in the fan
Who was told what to do by the man
Who was broken by trained personnel
Who was fitted with collar and chain
Who was given a pat on the back
Who was breaking away from the pack
Who was only a stranger at home
Who was ground down in the end
Who was found dead on the phone
Who was dragged down by the stone
Who was dragged down by the stone.
"Pigs (Three Different Ones)" [11'36]
Big man, pig man, ha ha charade you are.
You well heeled big wheel, ha ha charade
you are
And when your hand is on your heart,
You're nearly a good laugh,
Almost a joker,
With your head down in the pig bin,
Saying "Keep on digging."
Pig stain on your fat chin.
What do you hope to find.
Down in the pig
mine.
You're nearly a laugh,
You're nearly a laugh but you're really a cry.
Bus stop rat bag, ha ha charade you are.
You fucked up old hag, ha ha
charade you are.
You radiate cold shafts of broken glass.
You're nearly a good
laugh,
Almost worth the quick grin.
You like the feel of steel,
You're hot
stuff with a hatpin,
And good fun with a hand gun.
You're nearly a laugh,
You're nearly a laugh but you're really a cry.
Hey you, Whitehouse, ha ha charade you are.
You house proud town mouse, ha ha
charade you are
You're trying to keep our feelings off the street.
You're nearly
a real treat,
All tight lips and cold feet
And do you feel abused?
.....! .....! .....! .....!
You gotta stem the evil tide,
And keep it all on the
inside.
Mary you're nearly a treat,
Mary you're nearly a treat but you're really
a cry.
Money, get away.
Get a good job with good pay and you're okay.
Money, it's
a gas.
Grab that cash with both hands and make a stash.
New car, caviar,
four star daydream,
Think I'll buy me a football team.
"Us and Them" [7'46] (Waters, Wright)
Us, and them
And after all we're only ordinary men.
Me, and you.
God only
knows it's not what we would choose to do.
Forward he cried from the rear
and the front rank died.
And the general sat and the lines on the map
moved from side to side.
Black and blue
And who knows which is which and
who is who.
Up and down.
And in the end it's only round and round, and round.
Haven't you heard it's a battle of words
The poster bearer cried.
Listen
son, said the man with the gun
There's room for you inside.
Down and out
It can't be helped but there's a lot of it about.
With,
without.
And who'll deny it's what the fighting's all about?
Out of the way,
it's a busy day
I've got things on my mind.
For the want of the price of tea
and a slice
The old man died.
"Brain Damage" [4'34] (Waters)
The lunatic is on the grass.
The lunatic is on the grass.
Remembering games
and daisy chains and laughs.
Got to keep the loonies on the path.
The
lunatic is in the hall.
The lunatics are in my hall
The paper holds their
folded faces to the floor
And every day the paper boy brings more.
And
if the dam breaks open many years too soon
And if there is no room upon the
hill
And if your head explodes with dark forebidings too
I'll see you on
the dark side of the moon.
The lunatic is in my head.
The lunatic is
in my head
You raise the blade, you make the change
You re-arrange me 'till
I'm sane.
You lock the door
And throw away the key
There's someone
in my head but it's not me.
And if the cloud bursts, thunder in your ear
You shout and no one seems to hear.
And if the band you're in starts
playing different tunes
I'll see you on the dark side of the moon.
All that you touch
All that you see
All that you taste
All you feel.
All that you love
All that you hate
All you distrust
All you save.
All
that you give
All that you deal
All that you buy,
beg, borrow or steal.
All you create
All you destroy
All that you do
All that you say.
All that you eat
everyone you meet
All that you slight
everyone you fight.
All that is now
All that is gone
All that's to come
and everything
under the sun is in tune
but the sun is eclipsed by the moon.
All you create
All you destroy
All that you do
All that you say.
All that you eat
and everyone you meet
All that you slight
everyone you fight.
All that is now
All that is gone
All that's to come
and everything
under the sun is in tune
but the sun is eclipsed by the moon.
The Last Refugee (Reprise) (Waters) [1'30]
Instrumental
Déjà Vu (Reprise) (Waters) [5'41]
If you were a Muslim
And I was a Jew
If I were a Mennonite
And you were
a Hindu
Would we exchange
The weight of these chains?
Chains of belief
And the carnage on the trains
To turn over a new leaf
If I had been
God
I would not have chosen anyone
I would have laid an even hand
On
all my children, every one
Would have been content
To forgo Ramadan and
Lent
Time better spent
In the company of friends
Breaking bread and
mending nets