Produceret af Patrick Leonard og Roger Waters
Udgivet 1992
Dette album regnes af mange Waters fans som hans absolut bedste. Det er nok også hans tungeste, hvad angår
hans tekster. Det her er vel hvad Waters har bygget op til i alle sine år i Pink Floyd. Det er et koncept
album og der er en masse stemmer og lyde i baggrunden, som begge dele var noget Floyd begyndte på i 1972
og Waters siden har viderudviklet på sine efterfølgende plader både solo og i Floyds navn. Så på mange måder
det ultimative Waters album, og derfor bestemt også albummet der skiller bukkene fra fårene, da det helt klart
kræver en del af sin lytter, at rumme alt det pladen byder på.
Som sagt er dette hvad Waters har "bygget op
til" igennem sin lange karriere som musiker. Waters endelige mål, den perfekte plade. Lidt store ord måske, men
det kunne forklare hvorfor Waters ikke siden har udgivet en ny rock-plade.
Og det er vel også derfor at det er denne plade Waters valgte udgive i en opdateret udgave 23 år senere.
Der
er numre der er ændret og så er lyden på hele pladen opgraderet, eller pudset af om du vil. Så medmindre du sidder
og lytter til dem begge for at opdage forskelen er her i det store hele tale om en genudgivelse.
De to numre
der er ændrede er:
Perfect Sence I
På den oprindelige plade er der en længere historie med baglæns tale.
På den nye
er der stadig lidt baglæns, men ellers resten erstattet af,.. ja det Waters mangelde eller ikke turde tage med,
dengang pladen oprindeligt blev inspillet i 1992. Længere historie. Lad os skynde os videre til næste nummer:
The Bravery of Being out of Range
Her er hele lydbilledet ændret. Der er også enkelte ændringer i musikerne
der er krediteret på dette numer.
For det første så står der ikke længere "Harmond Organ ud for Patrick Leonard, men
Piano. Uden at være den store instrument ekspert, så kan man godt forestilel sig at det kune give en ændring i lydbilledet.
DEt mest bemærkelsesværdige synes jeg dog er at Jeff Beck ikke var krediteret på den oprindelige udgave af dette
nummer, men det er han nu. Og det kan man klart høre.
Vocal 12 string guitar - Roger Waters
Harmond organ, Synthesizer -Patrick Leonard
Solo Guitar Jeff Beck
Guitar Tim Pierce
Bass John Pierce
Drums Denny Fongheiser
Background vocals - Natalie Jackson Lynn Fiddmont-Linsey ditto
Har du endnu ikke lyttet til hverken den nye eller den oprindelige version af pladen, kan jeg kun anbefale det, da man skal lede længe, efter en plade der har så meget at byde på. Oprindeligt serveret i Q-sound for at give en fantastisk lydoplevelse. Jeg ved ikke hvad man kalder det i den nye finpusede udgave, men dårligere er det ikke blevet.
I 2016 vandt Amused to Death en Grammy i katagorien "Best Surround Sound Album", og det er bestemt ikke
uden grund. Det er et fantastisk 5.1 mix!
James Guthrie og Joel Plante har arbejdet med de originale bånd og
har virkelig løftet denne plade. Som nævnt tidligere, så er det her det ultimative Waters album, med alle
de velkendte lydbilldere i baggrunden - i rigtig stor stil. Det har da virket fint nok siden 1992, men nu
når de har "splittet billedet" ud fra stereo til surround, får lytteren fuld valuta af alle de ting der "sker"
i baggrunden. Man sidder virkelig midt i Waters univers. En oplevelse der kun kan anbefales.
Titlen og inspirationen kommer fra Niel Postman's bog "Amusing Ourselves to Death." Der er dog noget der tyder på at de to ikke havde aftalt dette, for i en senere bog kvitterer Postman med denne svada
"The level of education required to appreciate the music of Roger Waters is both different and lower than what is required to appreciate, let us say, a Chopin étude... There is in short something missing in the aesthetic experience of our young."
Morsom udtallelse. Jeg må da mangle en hel del i min uddannelse, da jeg ikke har opdaget det fantastiske ved Chopin.
Pladens tema udspringer vel i bund og grund i det samme man ser i filmen The Wall med Waters far der dør i krigen. Det har gennem tiden ført til Waters' krig mod krig. Det kommer klart frem i The Final Cut og også i When the Wind Blows. Også samme tema i KAOS og det var faktisk lige efter KAOS at Waters begyndte på denne plade. Han havde dog en del store projekter som The Wall i Berlin og også allerede dengang var der Ça Ira. Så dette projekt blev udskudt hele tiden.
Man hører i starten og slutningen af pladen en ældre herres stemme. Det er Alf Hazzel som fortæller om sine oplevelser i 1.verdenskrig og er taget fra en BBC-dokumentar. Bill Hubbard er navnet på den soldat Alf prøver at redde livet på - dog uden held.
Af en eller anden grund ville Waters gerne have brugt noget lyd fra Stanley Kubricks film "Rumrejsen år 2001".
Det er blevet hævdet at det var fordi denne film starter med nogle aber / neandertaler der slår på en sten
med en knogle og dermed opdager at de har udviklet et våben osv. Som Waters starter sangen
Perfect Sence I med.
Waters fik dog ikke lov til at bruge et originalt klip fra filmen.
I den nye version der blev udgivet i 2015 på blandt andet Blue ray i 5.1 surround, er det dog det originale klip der
er med. I mellemtiden er Stanley Kubrick jo død, så er det jo i orden... eller...
Teksterne herunder er stort set afskrift fra innercoveret, men de ting der bliver sagt mellem numrene, er noget jeg fandt på en fransk side på nettet.
Numre på denne plade
|
The Ballad of Bill Hubbard (Waters) 4:19
(instrumental)
What God Wants, Part I (Waters) [6:00]
What do you want ? Go away
What God wants God gets God help us all
What God wants, God gets, God help us all
What God wants, God
gets, God help us all
What God wants, God gets
What God wants, God gets
What
God wants, God gets
The kid in the corner looked at the priest
And
fingered his pale blue Japanese guitar
The priest said
God wants goodness
God wants light
God wants mayhem
God wants a clean fight
What
God wants
God gets
What God wants, God gets
Don't look so surprised
It's
only dogma
The alien prophet cried
The beetle and the springbok
Took
the Bible from its hook
The monkey in the corner
Wrote the lesson in his
book
What God wants God gets
What God wants, God gets
What God wants,
God gets
God wants peace
God wants war
God wants famine
God
wants chain stores
What God wants God gets
God wants sedition
God wants sex
God wants freedom
God wants semtex
What God wants,
God gets
What God wants, God gets
Don't look so afraid
I'm only
joking
The alien comic lied
The jackass and hyena
Took the feather
from its hook
The monkey in the corner
Wrote the joke down in his book
What God wants, God gets
What God wants, God gets
What God wants,
God gets
What God wants, God gets
God wants
boarders
God wants crack
God wants rainfall
God wants wetbacks
God wants voodoo
God wants shrines
God wants law
God wants organized
crime
God wants crusade
God wants jihad
God wants good
God wants
bad
Perfect Sense, Part I (Waters) [4:16]
The monkey sat on a pile of stones
And stared at the broken bone
in his hand
And the strains of a Viennese quartet
Rang out across the
land
The monkey looked up at the stars
And he thought to himself
Memory
is a stranger
History is for fools
And he cleaned his hands
In a pool
of holy writing
Turned his back on the garden
And set out for the nearest
town
Hold on hold on soldier
When you add it all up
The tears and
the marrowbone
There's an ounce of gold
And an ounce of pride in each
ledger
And the Germans killed the Jews
And the Jews killed the Arabs
and the Arabs killed the hostages
and that is the news
And is it any
wonder
That the monkey's confused
He said Mama Mama
The President's
a fool
Why do I have to keep reading
These technical manuals
And the
joint chiefs of staff
And the brokers on Wall Street said
Don't make us
laugh
You're a smart kid
Time is linear
Memory is a stranger
History
is for fools
Man is a tool in the hands
Of the great God Almighty
And they gave him command
Of a nuclear submarine
And sent him back in search
of
The Garden of Eden
Perfect Sense, Part II (Waters) 2:50
Can't you see
It all makes perfect sense
Expressed in dollars and cents,
pounds, shillings, and pence
Can't you see it all makes perfect sense
Little black soul departs in perfect focus
Hold on soldier
Prime
time fodder for the News at Nine
Hold on, hold on soldier
Darling is
the child warm in the bed tonight
Can't you see
It all makes perfect sense
Expressed in dollars and
cents, pounds, shillings, and pence
Can't you see
It all makes perfect
sense
Can't you see
It all makes perfect sense
Expressed in dollars
and cents, pounds, shillings, and pence
Can't you see, it all makes perfect
sense
Can't you see, it all makes perfect sence
The Bravery of Being out of Range (Waters) [4:43]
You have a natural tendency
To squeeze off a shot
You're good fun at
parties
You wear the right masks
You're old but you still like a laugh
in the locker room
You can't abide change
You're at home on the range
You opened your suitcase
Behind the old workings
To show off the magnum
You deafened the canyon
A comfort a friend
Only upstaged in the end
by the Uzi machine gun
Does the recoil remind you
Remind you of sex
Old man what the hell you gonna kill next
Old timer who you gonna kill
next
I looked over Jordan and what did I see
Saw a U.S. Marine in a pile
of debris
I swam in your pools
And lay under your palm trees
I looked
in the eyes of the Indian
Who lay on the Federal Building steps
And
through the range finder over the hill
I saw the front line boys popping
their pills
Sick of the mess they find
On their desert stage
And the
bravery of being out of range
Yeah the question is vexed
Old man what the
hell you gonna kill next
Old timer who you gonna kill next
Hey bartender
over here
Two more shots
And two more beers
Sir turn up the TV
sound
The war has started on the ground
Just love those laser guided
bombs
They're really great
For righting wrongs
You hit the
target
And win the game
From bars 3,000 miles away
3,000 miles
away
We play the game
With the bravery of being out of range
We zap and
maim
With the bravery of being out of range
We strafe the train
With
the bravery of being out of range
We gain terrain
With the bravery of
being out of range
We play the
game
With the bravery of being out of range
Late Home Tonight, Part I (Waters) 4:00
Standing at the window
A farmer's wife in Oxford shire
Glances at the
clock it's nearly time for tea
She doesn't see
The phantom in the
hedgerow dip its wings
Doesn't hear the engine sing
But in the cockpit's techno glow
Behind the Ray Ban(R) shine
The kid from Cleveland
In the
comfort of routine
Scans his dials and smiles
Secure in the beauty of military life
There is no right nor
wrong
Only tin cans and cordite and white cliffs
And blue skies and flight
flight flight
The beauty of military life
No questions only orders and
flight only flight
What a
beautiful sight in his wild blue dream
The eternal child leafs through
his war magazine
And his kind Uncle Sam feeds ten trillion in change
into the total entertainment combat video game
And up here in the
stands
The fans are goin' wild
The cheerleaders flip
When you wiggle
your hip
And we all like the bit when you take
The jeans from the
refrigerator and
Then the bad guy gets hit
And were you struck by the
satisfying
Way the swimsuit sticks to her skin
Like BB gun days
When
knives pierce autumn leaves
But that's okay see the children bleed
It'll
look great on the TV
And in Tripoli another ordinary wife
Stares at the
dripping tap her old man hadn't time to fix
Too busy mixing politics and
rhythm in the street below
Late Home Tonight, Part II (Waters) [2:13]
Hark the wire service sing
Clear the satellite link
Check the fax machine
Hold the lead story boys
There's some great pictures coming in
Now
the pilot's heartbeat slows
Palms dry out
No questions only orders
And the F-1 glides in nose-up
Through the cloudbase and the
Ground crew
cheers as he puts down
His landing gear
Hey boy you're a hero take this
cigar
Back home in Cleveland
All the papers and local TV stations
Will
be calling your ma
And the farmer's wife
Shoos the cat off the chair
She says sit down my dear
Was the milking all right
Our American friends
are late home tonight
When the sleigh is heavy
And the timber wolves are getting bold
You look at you companions
And test the water of their friendship
With
your toe
And they significantly edge
Closer to the gold
Each man has his
price Bob
And yours was pretty low
Now history is short
The sun is just a
minor star
The poor man sells his kidneys
In some colonial bazaar
Que
sera sera
Is that your new Ferrari car
Nice but I think I'll wait for
the F50
You don't have to be a Jew
To disapprove of murder
Tears burn
my eyes
Muslim or Christian Mullah or Pope
Preacher or poet who was it
wrote
Give any one species too much rope
And they'll fuck it up
Last night on TV
A Vietnam vet
Takes his beard and his pain
And his
alienation twenty years
Back to Asia again
Sees the monsters they made
In formaldehyde floating 'round
Meets a gook on a bike
A good little
tyke
With the same soldier's eyes
What does it mean
This tear
jerking scene
Beamed into my home
That
it moves me so much
Why all the fuss
It's only two humans being
It's
only two humans being
Tears burn in my eyes
What does it mean
This tender
TV
This tear jerking scene
Beamed into my home
And you don't have to be
a Jew
To disapprove of murder
Tears burn my eyes
Muslim or
Christian, Mullah or Pope
Preacher or poet who was it wrote
Give any one
species too much rope
And they'll fuck it up
What God Wants, Part II (Waters) [3:41]
What God wants God gets God help us all
God wants dollars
God
wants cents
God wants pounds shillings and pence
God wants guilders
God wants Kroner
God wants Swiss francs
God wants French francs
God wants escudos
God wants pesetas
Don't
send lira
God don't want small potatoes
God wants small towns
God wants
pain
God wants clean up rock campaigns
God wants windows
God wants
solutions
God wants TV
God wants contributions
What God wants God
gets, God help us all
What God wants God gets, God help us all
God wants
silver
God wants gold
God wants his secret never to be told
God wants
gigolos
God wants giraffes
God wants politics
God wants a good laugh
What God wants God gets God help us all
God wants friendship
God wants
fame
God wants credit
God wants blame
God wants poverty
God wants
wealth
God wants insurance
God wants to cover himself
What God
wants, God gets God help us all
What God wants, God gets God help us all
What God wants, God gets God help us all
What God wants, God gets God help
us all
What God wants, God gets God help us all
What God Wants, Part III (Waters) [4:08]
Don't be afraid it's only business
The alien prophet sighed
The
vulture and the magpie took
The cash box from its hook
The monkey in
the corner wrote
The figures in his book
Crazed the checkout lady's
fingers
Flash across the till
The captain posts the menu for the
day
And in banks across the world
Christians Moslems Hindus Jews
And
people of every
Race creed colour tint or hue
Get down on their knees and
pray
The raccoon and the groundhog
Neatly make up bags of change
But
the monkey in the corner
Well he's slowly drifting out of range
Christ it's freezing inside
The veteran cries
The hyenas break cover
And stream through the meadow
And the fog rolls in
Though his bottle of
gin
So he picks up a stone
That looks like a bone
And the bullets
fly
And the rivers run dry
And the fat girls sigh
And the network
anchor persons lie
And the soldier's alone
In the video zone
But the
monkey's not watching
He's slipped out to the kitchen
To pile the
dishes
And answer the phone
We were watching TV
Watching TV
We were watching TV
Watching TV
In Tiananmen Square
Lost my baby there
My yellow
rose
In her bloodstained clothes
She was a short order pastry chef
In
a Dim Sum dive on the Yangtze tideway
She had shiny hair
She was the
daughter of an engineer
Won't you shed a tear
For my yellow rose
My
yellow rose
In her bloodstained clothes
She had perfect breasts
She
had high hopes
She had almond eyes
She had yellow thighs
She was a
student of philosophy
Won't you grieve with me
For my yellow rose
Shed a tear
For her bloodstained clothes
She had shiny hair
She had
perfect breasts
She had high hopes
She had almond eyes
She had yellow
thighs
She was the daughter of an engineer
So get out your pistols
Get
out your stones
Get out your knives
Cut them to the bone
They are the
lackeys of the grocer's machine
They built the dark satanic mills
That
manufacture hell on earth
They bought the front row seats on Calvary
They
are irrelevant to me
And I grieve for my sister
Did we do anything after this
I've a feeling we did
We were watching TV
Watching TV
We were watching TV
Watching
TV
She wore a white bandanna that said
Freedom now
She thought the
Great Wall of China
would come tumbling down
She was a student
Her father was an engineer
Won't you shed a tear
For my yellow rose
My yellow rose
In her
bloodstained clothes
Her grandpa fought old Chiang Kai-shek
That no-good
low-down dirty rat
Who used to order his troops
To fire on the women and
children
Imagine that, imagine that
And in the spring of '48
Mao
Tse-tung got quite irate
And he kicked that old dictator Chiang
Out of
the state of China
Chiang Kai-shek came down in Formosa
And they armed
the island of Quemoy
And the shells were flying across the China Sea
And
they turned Formosa into a shoe factory called Taiwan
And she is different
from Cro-Magnon man
She's different from Anne Boleyn
She is different from
the Rosenbergs
And from the unknown Jew
She is different from the unknown
Nicaraguan
Half superstar half victim
She's a victor star conceptually
new
And she is different from the Dodo
And from the Kankanbono
She is
different from the Aztec
And from the Cherokee
She's everybody's sister
She's symbolic of our failure
She's the one in fifty million
Who can
help us to be free
Because she died on TV
Reached back for the bottle
And rubbed against the lamp
Genie came
out smiling
Like some Eastern tramp
He said
"Hey boy what's happening
What is going on
You can have three wishes
If you don't take too long
If you don't take too long"
I said
well I wish they were all happy in the Lebanon
Wish
somebody'd help me write this song
I wish when I was young
My old man had
not been gone
Genie said consider it done
There's something in the air
And you don't know what it is
You see someone through the window
Who you've
just learned to miss
And the road leads on to glory but
You've used up your
last wish
Your last wish
And you want her to come home
Bring her home
Genie said
"I'm sorry
But that's the way it goes
Where the hell's the lamp sucker
It's time for me to go
Bye"
There's something in the air
And you
don't know what it is
You see someone through the window
Who you've just
learned to miss
And the road leads on to glory
but you've used up your
last wish
Your last wish
And you want her to come home
It's A Miracle (Waters) [8:30]
Miraculous you call it babe
You ain't seen nothing yet
They've got Pepsi
in the Andes
They've got McDonalds in Tibet
Yosemite's been turned into
A golf course for the Japs
The Dead Sea is alive with rap
Between
the Tigris and Euphrates
There's a leisure centre now
They've got all
kinds of sports
They've got Bermuda shorts
They had sex in Pennsylvania
A Brazilian grew a tree
And a doctor in Manhattan
Saved a dying man
for free
It's a miracle
It's a miracle
It's a miracle, another Miracle
By the grace of God Almighty
And the pressures of the marketplace
The human race has civilized itself
It's a miracle
We've got
warehouses of butter
We've got oceans of wine
We've got famine when
we need it
Got designer crime
We've got Mercedes
We've got Porsche
Ferrari and Rolls Royce
Yeah, we've got choice
She said meet me in
the Garden of Gethsemene my dear
The Lord said Peter I can see your house
from here
An honest man finally reaped what he had sown
A farmer in Ohio
has just repaid a loan
It's a miracle
It's a miracle
It's a miracle,
another Miracle
By the grace of God Almighty
And
the pressures of the marketplace
The human race has civilized itself
It's
a miracle
We cower in our shelters
With our hands over our ears
Lloyd-Webber's awful stuff
Runs for years and years and years
An earthquake
hits the theater
But the operetta lingers
Then the piano lid comes down
And breaks his fucking fingers
It's a miracle
Amused to Death (Waters) [9:06]
Doctor Doctor what is wrong with me
This supermarket life is getting
long
What is the heart life of a colour TV
What is the shelf life of a
teenage queen
Ooh western woman
Ooh western girl
News hound
sniffs the air
When Jessica Hahn goes down
He latches on to that symbol
of detachment
Attracted by the peeling away of feeling
The celebrity of
the abused shell the belle
Ooh western woman
Ooh western girl
And the children of Melrose strut their stuff
Is absolute zero cold enough
And out in the
valley warm and clean
The little ones sit by their TV screens
No thoughts
to think
No tears to cry
All sucked dry
Down to the very last breath
Bartender what is wrong with me
Why am I so out of breath
The captain
said excuse me ma'am
This species has amused itself to death
Amused itself
to death
It has amused it self to death
Amused itself to death
We
watched the tragedy unfold
We did
as we were told
We bought and sold
It was the greatest show on earth
But then it was over
We ohhed and aahed
We drove our racing cars
We
ate our last few jars of caviar
And somewhere out there in the stars
A
keen-eyed look-out
Spied a flickering light
Our last hurrah
And when
they found our shadows
Grouped around the TV sets
They ran down every
lead
They repeated every test
They checked out all the data on their
lists
And then the alien anthropologists
Admitted they were still
perplexed
But on eliminating every other reason
For our sad demise
They logged the only explanation left
This species has amused itself to death
No tears to cry no feelings left
This species has amused itself to death
And that always sort of worried me. And
having seen him, and his name in the register - as you know in the memorials
there's a little safe, there's a register in there with every name - and seeing
his name and his name on the memorial; it sort of lightened my...heart, if you
like."
(woman) "When was it that you saw his name on the memorial?"
"Ah, when
I was eighty-seven, that would be a year, ninete...eighty-four, nineteen
eighty-four."